Airport — A Typeface Revival

Lukas Schneider:

On 13 November 1961, the Oceanic building at London Airport opened
to handle long-haul flight departure. In 1979, German publisher
Ravensburger brought out a game designed to help children learn to
count. Around Christmas 2023, I stumbled across a copy of that
vintage game. The type on the box caught my eye, and that’s where
this story began.

The letterforms resembled those of Helvetica. As the corners were
soft, I initially thought it might be its Rounded version.
However, the typeface featured a much larger x-height, the
capitals were less wide, and the glyphs also had white bits in
some places, yielding a highlight effect. I had never seen this
design before. My first suspicion was that it might be a Letraset
face, as this would have fitted in well with the release date of
the game. Unfortunately, I couldn’t find a match in a catalog by
this manufacturer of rub-down type, so I contacted Florian
Hardwig, who had often helped me with type research in the past.
Florian was able to identify the mystery typeface. He found it in
a catalog published in 1985 by Layout-Setzerei Stulle, a
typesetting service in Stuttgart, Germany. Named Airport
Spotlight, it’s a derivative of Airport, a typeface that Matthew
Carter had designed in the early 1960s for signs at London
Airport.

What a gift that Matthew Carter is still with us today. How’s this tidbit hit you, regarding the speed at which the world worked just decades ago:

In many regards, the adaptations made to Akzidenz echo the
considerations made in the design of Helvetica. In an interview
for Computer Arts, Carter comments: “[I]f you look at it today,
you’d think was a rip-off of Helvetica. But we’d never seen
Helvetica in 1961 in London, although it had been produced in
Switzerland near Basle at the Haas foundry in 1957. Even if we had
seen it, and wanted to have it typeset in London, we’d have had to
get on a plane and fly to Basle and have it typeset there, because
the British typesetting trade was so conservative that typefaces
like that were simply unobtainable.”

Via Typographica.

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