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There’s a moment in Josh Brolin‘s raw, frequently self-eviscerating memoir “From Under the Truck” where the actor, shirtless, shoeless and wandering around Manhattan’s Upper West Side with a crippling hangover, runs into Philip Seymour Hoffman. It’s 1992, and Hoffman is freshly sober and embarking on his brilliant career on screen and stage, while Brolin is […]
